Chapter 24
(Barrett)
3:41

A movement is accomplished in six stages
And the seventh brings return.
The seven is the number of the young light
It forms when darkness is increased by one.
Change returns success
Going and coming without error.
Action brings good fortune.
Sunset.

The time is with the month of winter solstice
When the change is due to come.
Thunder in the other course of heaven.
Things cannot be destroyed once and for all.
Change returns success
Going and coming without error.
Action brings good fortune.
Sunset, sunrise.

A movement is accomplished in six stages
And the seventh brings return.
The seven is the number of the young light
It forms when darkness is increased by one.
Change returns success
Going and coming without error.
Action brings good fortune.
Sunset, sunrise.

 

 

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musiche ho ascoltato con molto piacere la versione per viole e fagotti di alcuni brani di aphex twin fatti dall'ensemble inglese alarm will sound
solo gli inglesi possono fare bene delle cose cosμ
mi ha fatto anche riscoprire certo ambient brumoso di twin stesso che continua a piacermi molto, tipo cliffs e blue calx

ma i miei favs sono i deaf center superplumbei, tipo nuvolone di temporale, e con loro tutta una schiera di cinematiche - intese come musiche adatte ai film che mi figuro
prob un po' figlie dell'ambient di a twin e b o c
ultimo della lista tal muhr dal canada
www.muhrmusic.com

 

 

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http://www.archive.org/download/marvinshow078/marvinshow078.mp3

visto per l'ennesima volta musikanten di battiato
si puς dire quel che si vuole ma credo si possa sostenere che battiato θ
convinto e convince del fatto che la musica sia ancora scienza sapienza
ora io sono soprattutto per una idea emozional-poetica-visionaria della
musica e dell'arte in genere e del suo potere di cambiare qualcosa dentro di
noi
ma anche sensibile all'idea che sia anche e ancora strumento di conoscenza
come la scienza

 

 

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http://www.japanimprov.com/myagi/index.html

 

 

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a ghθ n'θstasi al mβsim in dla vθtta, e che piΰ avΰnti ΰn's'pτl mθnga andκr.
Quΰl c'a fΰ spκce l'θ che st'θstasi la rξva quΰnd a s'θ piς vξv, e la rξva
in manκra θd fκres scurdκr d'κser vξv

 

 

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http://freealbums.blogsome.com/2006/09/21/marco-lucchi-several-albums/

 

 

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for many years i'm trying to answer to some
questions like:

does a "repertory" of ambient music exist?

is it possible to stand up an ensemble playing non-academic (ambient,
experimental, ...) music as we have ensembles playing classical, modern
classical or contemporary music?

can non-academic music have the same or similar status of
academic-contemporary one?

can the authors of non-academic contemporary music be valued as classical
or academic-contemporary composers are?

i think somehow yes

(sometimes i think that non-academic music is the only contemporary
music...)

but at least i think that it can stand beside academic-contemporary (and
jazz too)

i worked since i was a teen to convince people that some music that starts
as non-academic or even pop sometimes can be listened to as it was
modern classical, with the same status of the academic one

as a  music teacher i work in the same way too

i understand that the questions are not so simple

 

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alva noto
beautumn
chihei hatakeyama
deaf center
elve
esmerine
faune
kaija saariaho
klimek
machinefabriek
markus broesel
marsen jules
muhr
oren ambarchi
orla wren
pan american
ryan teague
william bazinski
yasushi yoshida
....
Akira Rabelais
Aphex Twin
Arovane
Arvo Part
Autechre
Boards of Canada
Brian Eno
Charles Ives
Chris Mc Dill
Claude Debussy
Dylan David Wagner
Franco Battiato
Garrett Fisher
Gavin Bryars
Giacinto Scelsi
Gustav Mahler
Harold Budd
Hector Zazou
Jocelyn Pook
Johann Johannsson
John Cale
John Dowland
Julien Neto
Ken Mistove
Michiyo Yagi
Minez
Mira Calix
Olivier Messiaen
Penguin Cafe Orchestra
Popol Vuh
Presentperfect
Residents
Roberto Cacciapaglia
Rosy Parlane
Rothko
Ryuchi Sakamoto
Seis Tormentas
Stephan Micus
Steve Layton
Steve Reich
Susumu Yokota
Taylor Deupree
Tazio Iacobacci
Terry Riley
Third Ear Band
Tim Story
Tom Rapp
Toru Takemitsu
Virginia Astley
Zygmunt Krauze

but maybe it's just nostalgia for Simon Jeffes and his Orchestra

 

 

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